Rogers LS3/5A BBC Monitor 1987 - speakers

19872 📃others
Rogers LS3/5A 1987 - cover / ロジャース カタログ 表紙

ロジャース カタログ

Double-sided A4 flyer by British Rogers, issued by Japanese distributor ODEX around 1987, devoted entirely to the LS3/5A BBC monitor in its canonical 15-ohm guise (after 1987 Rogers switched to the 11-ohm version). Rogers is an English company from Surrey, and the LS3/5A isn’t even their design: the speaker was engineered by BBC for monitoring in the tight cabins of outside-broadcast vehicles, and Rogers were licensed to manufacture it in production. The front shows the speaker on a shelf among antique books; the back is a detailed breakdown - 10cm bextrene woofer (KEF B110, BBC LS2/7), 2cm dome tweeter KEF T27/SP1032, BBC FL6/23 crossover with a 1dB-step tapped transformer, a birch cabinet with bitumen-lined walls, and every pair measured individually on Brüel & Kjær gear, cross-checked against the BBC reference, with the response archived per serial number.

What the leaflet says

Full translation of both sides.

Front. Headline: “Rogers = a BBC monitor with a tradition.”

One of the prides of the British audio world: the Rogers LS3/5A Monitor. It was designed and developed by BBC’s engineering staff as a monitor for use where space is limited, such as outside-broadcast vans, with production then entrusted to Rogers. It is a professional speaker. The enclosure, the drive units and the network are each treated as lavishly as could be conceived, and the main design theme was performance on par with a large monitor despite the compact size. The “LS” number may be used only on speakers authorized by the BBC, and this is the first model in its class to carry it. Its imaging is widely recognized among professional users, and for this size it has enough dynamic range for both analog and CD playback. For hi-fi use it is not very fussy about placement compared with other speakers, but if we state the ideal: about 90 cm off the floor, at least 15 cm from the wall, a little away from the corner, and the two speakers at least 2 m apart. The treble spreads well, so we recommend angling both speakers inward more than is usually advised. And since it was designed above all for the smoothest possible frequency response, efficiency has been sacrificed to a degree, so an amplifier of 25 W effective output or more is desirable.

Back. Drive units. The woofer is a 10 cm bextrene-cone type; the tweeter is a 2 cm dome. To meet the strict BBC standard, units are chosen through careful one-by-one testing, and an engineer applies the doping onto the cone by hand, one at a time. On top of that, Rogers adjusts them so the pair matches, and always ships them as a matched pair.

Network. The level balance between the bass and treble sections has, until now, been trimmed with a resistor even on fairly expensive speakers. That is unavoidable on cost grounds, but it meant musical freshness was sacrificed. The LS3/5A uses a matching transformer with 1 dB tapping steps, good enough to be sold as a component in its own right, and that makes natural, lively music reproduction possible from the low end to the high. So there is no drift with age, the capacitors are low-loss types; and the network is built only from very carefully selected parts, such as inductors held within 5% tolerance.

Testing. Rogers is headquartered at Mitcham, Surrey, on the edge of London. Every Rogers LS3/5A Monitor is measured with Brüel & Kjær equipment in its anechoic chamber, and an individual frequency-response graph is taken. Finally it is checked against “the BBC reference standard” with pink noise. The frequency-response graph of each speaker is kept permanently in the Rogers library, in manufacturing-number order.

Cabinet. The enclosure is fully sealed. The cabinet uses birch, the wood well known as piano stock, and only selected timber from northern Britain. Sound absorption was given particular attention, and the inner walls of the cabinet are coated with bitumen, so it reproduces clear low notes.

Specification. Type: sealed 2-way, 2-speaker system. Woofer: 10 cm bextrene cone, a KEF B110 meeting BBC spec LS2/7. Tweeter: 2 cm dome, KEF T27 / SP1032. Frequency range: 70 to 20,000 Hz (±3 dB). Rated input: 25 W. Crossover: 3 kHz, BBC spec FL6/23. Impedance: 15 ohms, BBC spec. Dimensions: 305 (H) x 185 (W) x 160 (D) mm, BBC spec CT4/IIA. Weight: 5.3 kg. Packing: matched-pair packaging. (Specs subject to change without notice.)

Sole agent for Japan: ODEX Japan Co., Ltd. (株式会社 オーデックス・ジャパン), Yushima, Bunkyo-ku, Tokyo. Print code on the back: 8765000.

ModelTypePrice
Rogers LS3/5Aspeaker system
Technical termsTranslation
ベクストレーンコーンBextrene cone
コーンの上のドーピング(手作業)doping on the cone (by hand)
BBC規格マッチドペアBBC-standard matched pair
1dBステップ・タッピング・トランス1 dB step tapping transformer
ピアノ材 樺の木キャビネットbirch cabinet of piano-grade wood
Marketing termsTranslation
ロジャース=伝統あるBBCモニター。Rogers = the traditional BBC monitor.
英国オーディオ界の誇りの一つ、Rogers LS3/5A Monitor…BBC技術陣によって移動放送車等、スペースに限りのあるところでのモニター用として設計開発され、ロジャース社に生産を依頼してつくられたプロ用スピーカーです。One of the prides of the British audio world, the Rogers LS3/5A Monitor… A professional speaker designed and developed by BBC engineers for monitoring in places where space is limited, such as mobile broadcast vehicles, and made by commissioning Rogers to build it.
エンクロージャー、スピーカーユニット、ネットワークの一つ一つが考えられるかぎりのぜいたくな使い方がされ、コンパクトサイズにもかかわらず大型モニターに匹敵する性能を出せることをメインテーマに設計されています。BBCによりオーソライズされたスピーカーにのみ使用することが許されるLSナンバー。そのLS付きの、このクラスで初めてのモデルです。音像定位の良さは、ひろくプロユーザーに認められているところで、このサイズでアナログ、CDの再生に、十分なダイナミックレンジをそなえています。ハイファイ再生にあたり、他のスピーカーと比べてあまり設置場所を選ばないタイプですが、あえて理想をいえば、床から90cmぐらい、壁から15cm以上、コーナーから少し離し、2本のスピーカーの間隔は少なくとも2mあった方がよいでしょう。また、高音のひろがりがすぐれているので、一般にいわれている以上に内側へ向けて、2本とも設置されるようおすすめします。もちろん、できるだけスムーズな周波数特性を出すということを第一に設計されているため、能率はある程度犠牲にされていますので、実効出力25W以上のアンプ使用が望ましいわけです。Each of the enclosure, speaker units and network has been used as luxuriously as can be imagined, and the design has as its main theme achieving, despite its compact size, performance that rivals large monitors. The LS number may be used only on speakers authorized by the BBC. This is the first model in this class to carry the LS designation. Its good sound image localization is widely recognized by professional users, and at this size it has ample dynamic range for playing back analog records and CDs. For hi-fi playback it is a type that is less particular about placement than other speakers, but if one ideally had to say, it is best placed about 90 cm from the floor, at least 15 cm from the wall, a little away from the corner, with the two speakers at least 2 m apart. Also, because the spread of the high frequencies is excellent, we recommend placing both speakers angled inward more than is generally said. Of course, because they were designed first of all to deliver as smooth a frequency response as possible, efficiency has been sacrificed to some extent, so an amplifier with an effective output of 25 W or more is desirable.
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